BESKAP (Java) Beskap is a kind of formal men's shirts in Javanese tradition Mataraman to be worn on formal occasions or important. Clothing boss was introduced in the late 18th century [need reference] by the kingdoms in the region Vorstenlanden but later spread to different areas of cultural influence.  Beskap shaped thick shirts, collared not fold, usually dark, but almost always plain. Shaped front section is not symmetrical, with a sideways pattern studs (not perpendicular).

BESKAP (Java) Beskap is a kind of formal men's shirts in Javanese tradition Mataraman to be worn on formal occasions or important. Clothing boss was introduced in the late 18th century [need reference] by the kingdoms in the region Vorstenlanden but later spread to different areas of cultural influence. Beskap shaped thick shirts, collared not fold, usually dark, but almost always plain. Shaped front section is not symmetrical, with a sideways pattern studs (not perpendicular).

WAYANG KLITIK or WAYANG KARUCIL Wayang klitik figures occupy a middle ground between the figures of wayang golek and wayang kulit. They are constructed similarly to wayang kulit figures, but from thin pieces of wood instead of leather, and, like wayang kulit figures, are used as shadow puppets.  The name of these figures is onomotopaeic, from the sound klitik-klitik, that these figures make when worked by the dalang.

WAYANG KLITIK or WAYANG KARUCIL Wayang klitik figures occupy a middle ground between the figures of wayang golek and wayang kulit. They are constructed similarly to wayang kulit figures, but from thin pieces of wood instead of leather, and, like wayang kulit figures, are used as shadow puppets. The name of these figures is onomotopaeic, from the sound klitik-klitik, that these figures make when worked by the dalang.

BLANGKON (Java) Blangkon is a headgear made from batik and used by men as part of a traditional Javanese clothes. According to his form, blangkon divided into 4: blangkon Ngayogyakarta, blangkon Surakarta, blangkon Kedu, and Blangkon Banyumasan. [1] For some types blangkon anyone using bulge on the back blangkon. This bulge indicates male hairstyles that period that often bind their long hair in the back of the head, so that the protruding part on the back blangkon.

BLANGKON (Java) Blangkon is a headgear made from batik and used by men as part of a traditional Javanese clothes. According to his form, blangkon divided into 4: blangkon Ngayogyakarta, blangkon Surakarta, blangkon Kedu, and Blangkon Banyumasan. [1] For some types blangkon anyone using bulge on the back blangkon. This bulge indicates male hairstyles that period that often bind their long hair in the back of the head, so that the protruding part on the back blangkon.

KEBAYA A kebaya is a traditional blouse-dress combination that originates from Indonesia and is worn by women in Indonesia, Malaysia, Brunei, Burma, Singapore, southern Thailand, Cambodia and the southern part of the Philippines. It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned with brocade or floral pattern embroidery.

KEBAYA A kebaya is a traditional blouse-dress combination that originates from Indonesia and is worn by women in Indonesia, Malaysia, Brunei, Burma, Singapore, southern Thailand, Cambodia and the southern part of the Philippines. It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned with brocade or floral pattern embroidery.

BALINESE GAMELAN (Bali) Gamelan Bali is one of the types that exist in Indonesian Gamelan. Gamelan has differences with Javanese gamelan is a form wilah (slats on saron) thicker, pencon form (form of gamelan as bonang) more than the wilah, faster rhythm.

BALINESE GAMELAN (Bali) Gamelan Bali is one of the types that exist in Indonesian Gamelan. Gamelan has differences with Javanese gamelan is a form wilah (slats on saron) thicker, pencon form (form of gamelan as bonang) more than the wilah, faster rhythm.

WAYANG ORANG  Wayang wong also known as Wayang orang (literally "human wayang") is a type of Javanese theatrical performance with themes taken from episode of Ramayana or Mahabharata.

WAYANG ORANG Wayang wong also known as Wayang orang (literally "human wayang") is a type of Javanese theatrical performance with themes taken from episode of Ramayana or Mahabharata.

JAVANESE GAMELAN (Java) Javanese gamelan is a musical ensemble that usually highlight metallophone, xylophone, drums, and gongs. Music created in Javanese Gamelan gong sound comes from the alloy, kenong and other Javanese music instruments. The rhythm of the music is generally soft and reflect the harmony of life, as life principles generally adopted by the Java community.

JAVANESE GAMELAN (Java) Javanese gamelan is a musical ensemble that usually highlight metallophone, xylophone, drums, and gongs. Music created in Javanese Gamelan gong sound comes from the alloy, kenong and other Javanese music instruments. The rhythm of the music is generally soft and reflect the harmony of life, as life principles generally adopted by the Java community.

WAYANG GOLEK (West Java) Wayang golek are wooden doll puppets that are operated from below by rods connected to the hands and a central control rod that runs through the body to the head. The simple construction of the puppets belies their versatility, expressiveness and aptitude for imitating human dance. Today, wayang golek is mainly associated with Sundanese culture of West Java. However the wooden wayang also known in Central Java as Wayang Menak, originated from Kudus Central Java.

WAYANG GOLEK (West Java) Wayang golek are wooden doll puppets that are operated from below by rods connected to the hands and a central control rod that runs through the body to the head. The simple construction of the puppets belies their versatility, expressiveness and aptitude for imitating human dance. Today, wayang golek is mainly associated with Sundanese culture of West Java. However the wooden wayang also known in Central Java as Wayang Menak, originated from Kudus Central Java.

BATIK  Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique. Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting (tjanting), or by printing the resist with a copper stamp called a cap (tjap). The applied wax resists dyes and therefore allows the artisan to color selectively by soaking the cloth in one color, removing the wax with boiling water, and repeating if multiple colors are desired.

BATIK Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique. Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting (tjanting), or by printing the resist with a copper stamp called a cap (tjap). The applied wax resists dyes and therefore allows the artisan to color selectively by soaking the cloth in one color, removing the wax with boiling water, and repeating if multiple colors are desired.

ANGKLUNG (West Java) The angklung is a musical instrument made of two to four bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves. The base of the frame is held in one hand, whilst the other hand strikes the instrument. This causes a repeating note to sound. Each of three or more performers in an angklung ensemble play just one note or more, but altogether complete melodies are produced.

ANGKLUNG (West Java) The angklung is a musical instrument made of two to four bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves. The base of the frame is held in one hand, whilst the other hand strikes the instrument. This causes a repeating note to sound. Each of three or more performers in an angklung ensemble play just one note or more, but altogether complete melodies are produced.

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