BLANGKON (Java) Blangkon is a headgear made from batik and used by men as part of a traditional Javanese clothes. According to his form, blangkon divided into 4: blangkon Ngayogyakarta, blangkon Surakarta, blangkon Kedu, and Blangkon Banyumasan. [1] For some types blangkon anyone using bulge on the back blangkon. This bulge indicates male hairstyles that period that often bind their long hair in the back of the head, so that the protruding part on the back blangkon.

BLANGKON (Java) Blangkon is a headgear made from batik and used by men as part of a traditional Javanese clothes. According to his form, blangkon divided into 4: blangkon Ngayogyakarta, blangkon Surakarta, blangkon Kedu, and Blangkon Banyumasan. [1] For some types blangkon anyone using bulge on the back blangkon. This bulge indicates male hairstyles that period that often bind their long hair in the back of the head, so that the protruding part on the back blangkon.

BESKAP (Java) Beskap is a kind of formal men's shirts in Javanese tradition Mataraman to be worn on formal occasions or important. Clothing boss was introduced in the late 18th century [need reference] by the kingdoms in the region Vorstenlanden but later spread to different areas of cultural influence.  Beskap shaped thick shirts, collared not fold, usually dark, but almost always plain. Shaped front section is not symmetrical, with a sideways pattern studs (not perpendicular).

BESKAP (Java) Beskap is a kind of formal men's shirts in Javanese tradition Mataraman to be worn on formal occasions or important. Clothing boss was introduced in the late 18th century [need reference] by the kingdoms in the region Vorstenlanden but later spread to different areas of cultural influence. Beskap shaped thick shirts, collared not fold, usually dark, but almost always plain. Shaped front section is not symmetrical, with a sideways pattern studs (not perpendicular).

WAYANG KLITIK or WAYANG KARUCIL Wayang klitik figures occupy a middle ground between the figures of wayang golek and wayang kulit. They are constructed similarly to wayang kulit figures, but from thin pieces of wood instead of leather, and, like wayang kulit figures, are used as shadow puppets.  The name of these figures is onomotopaeic, from the sound klitik-klitik, that these figures make when worked by the dalang.

WAYANG KLITIK or WAYANG KARUCIL Wayang klitik figures occupy a middle ground between the figures of wayang golek and wayang kulit. They are constructed similarly to wayang kulit figures, but from thin pieces of wood instead of leather, and, like wayang kulit figures, are used as shadow puppets. The name of these figures is onomotopaeic, from the sound klitik-klitik, that these figures make when worked by the dalang.

WAYANG ORANG  Wayang wong also known as Wayang orang (literally "human wayang") is a type of Javanese theatrical performance with themes taken from episode of Ramayana or Mahabharata.

WAYANG ORANG Wayang wong also known as Wayang orang (literally "human wayang") is a type of Javanese theatrical performance with themes taken from episode of Ramayana or Mahabharata.

WAYANG GOLEK (West Java) Wayang golek are wooden doll puppets that are operated from below by rods connected to the hands and a central control rod that runs through the body to the head. The simple construction of the puppets belies their versatility, expressiveness and aptitude for imitating human dance. Today, wayang golek is mainly associated with Sundanese culture of West Java. However the wooden wayang also known in Central Java as Wayang Menak, originated from Kudus Central Java.

WAYANG GOLEK (West Java) Wayang golek are wooden doll puppets that are operated from below by rods connected to the hands and a central control rod that runs through the body to the head. The simple construction of the puppets belies their versatility, expressiveness and aptitude for imitating human dance. Today, wayang golek is mainly associated with Sundanese culture of West Java. However the wooden wayang also known in Central Java as Wayang Menak, originated from Kudus Central Java.

WAYANG KULIT or SHADOW PUPPETS (Central Java) Wayang kulit, or shadow puppets, are without a doubt the best known of the Indonesian wayang. Kulit means skin, and refers to the leather construction of the puppets that are carefully chiselled with very fine tools and supported with carefully shaped buffalo horn handles and control rods. The stories are usually drawn from the Hindu epics the Ramayana, the Mahabharata or from the Serat Menak, (a story about the heroism of Amir Hamza.

WAYANG KULIT or SHADOW PUPPETS (Central Java) Wayang kulit, or shadow puppets, are without a doubt the best known of the Indonesian wayang. Kulit means skin, and refers to the leather construction of the puppets that are carefully chiselled with very fine tools and supported with carefully shaped buffalo horn handles and control rods. The stories are usually drawn from the Hindu epics the Ramayana, the Mahabharata or from the Serat Menak, (a story about the heroism of Amir Hamza.

KEBAYA A kebaya is a traditional blouse-dress combination that originates from Indonesia and is worn by women in Indonesia, Malaysia, Brunei, Burma, Singapore, southern Thailand, Cambodia and the southern part of the Philippines. It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned with brocade or floral pattern embroidery.

KEBAYA A kebaya is a traditional blouse-dress combination that originates from Indonesia and is worn by women in Indonesia, Malaysia, Brunei, Burma, Singapore, southern Thailand, Cambodia and the southern part of the Philippines. It is sometimes made from sheer material such as silk, thin cotton or semi-transparent nylon or polyester, adorned with brocade or floral pattern embroidery.

BATIK  Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique. Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting (tjanting), or by printing the resist with a copper stamp called a cap (tjap). The applied wax resists dyes and therefore allows the artisan to color selectively by soaking the cloth in one color, removing the wax with boiling water, and repeating if multiple colors are desired.

BATIK Batik is a technique of wax-resist dyeing applied to whole cloth, or cloth made using this technique. Batik is made either by drawing dots and lines of the resist with a spouted tool called a canting (tjanting), or by printing the resist with a copper stamp called a cap (tjap). The applied wax resists dyes and therefore allows the artisan to color selectively by soaking the cloth in one color, removing the wax with boiling water, and repeating if multiple colors are desired.

BALINESE GAMELAN (Bali) Gamelan Bali is one of the types that exist in Indonesian Gamelan. Gamelan has differences with Javanese gamelan is a form wilah (slats on saron) thicker, pencon form (form of gamelan as bonang) more than the wilah, faster rhythm.

BALINESE GAMELAN (Bali) Gamelan Bali is one of the types that exist in Indonesian Gamelan. Gamelan has differences with Javanese gamelan is a form wilah (slats on saron) thicker, pencon form (form of gamelan as bonang) more than the wilah, faster rhythm.

JAVANESE GAMELAN (Java) Javanese gamelan is a musical ensemble that usually highlight metallophone, xylophone, drums, and gongs. Music created in Javanese Gamelan gong sound comes from the alloy, kenong and other Javanese music instruments. The rhythm of the music is generally soft and reflect the harmony of life, as life principles generally adopted by the Java community.

JAVANESE GAMELAN (Java) Javanese gamelan is a musical ensemble that usually highlight metallophone, xylophone, drums, and gongs. Music created in Javanese Gamelan gong sound comes from the alloy, kenong and other Javanese music instruments. The rhythm of the music is generally soft and reflect the harmony of life, as life principles generally adopted by the Java community.

Pinterest
Cari