As Diana Vreeland after Diana Vreeland opens at the Palazzo Fortuny in Venice, we take a look back in pictures at the life of the contemporary fashion legend, who brought her revolutionary approach to Vogue,  Harper’s Bazaar and New York's Metropolitan Museum of Art.

Diana Vreeland: Elegance always

As Diana Vreeland after Diana Vreeland opens at the Palazzo Fortuny in Venice, we take a look back in pictures at the life of the contemporary fashion legend, who brought her revolutionary approach to Vogue, Harper’s Bazaar and New York's Metropolitan Museum of Art.

Diana Vreeland's desk at Vogue. Her walls of imagination and possibly waiting for her peanut butter sandwich for lunch.

Diana Vreeland's desk at Vogue. Her walls of imagination and possibly waiting for her peanut butter sandwich for lunch.

Diana Vreeland, ici sur une séance photographiée par Richard Avedon pour Harper's Bazaar en 1946 http://www.vogue.fr/culture/a-voir/diaporama/diana-vreeland-l-hommage-a-venise/7367#diana-vreeland-en-studio-1946

Diana Vreeland, figure majeure de l'élégance moderne

Diana Vreeland, ici sur une séance photographiée par Richard Avedon pour Harper's Bazaar en 1946 http://www.vogue.fr/culture/a-voir/diaporama/diana-vreeland-l-hommage-a-venise/7367#diana-vreeland-en-studio-1946

EAST/WEST Indian Magic collection by Issey Miyake, worn by Diana Vreeland,

EAST/WEST Indian Magic collection by Issey Miyake, worn by Diana Vreeland,

the eye has to travel  http://markdsikes.com/2012/09/23/diana-vreeland-the-eye-has-to-travel/

the eye has to travel http://markdsikes.com/2012/09/23/diana-vreeland-the-eye-has-to-travel/

Diana Vreeland in her Billy Baldwin decorated living room

Diana Vreeland in her Billy Baldwin decorated living room

Diana Vreeland created the concept of the fashion editor. She joined Harper’s Bazaar in 1936 and remained there for 25 years and the images she created are the most referenced in fashion history. She had a hand in everything, and everything she touched she revolutionised.

Diana Vreeland created the concept of the fashion editor. She joined Harper’s Bazaar in 1936 and remained there for 25 years and the images she created are the most referenced in fashion history. She had a hand in everything, and everything she touched she revolutionised.

Diana Vreeland & her portrait

Diana Vreeland: An Illustrated Biography Is Like Fashion Porn

Diana Vreeland & her portrait

The only real elegance is in the mind; if you've got that, the rest really comes from it. - Diana Vreeland

11 of Diana Vreeland's Best Quotes

The only real elegance is in the mind; if you've got that, the rest really comes from it. - Diana Vreeland

to women everywhere.  go + be free  | Diana Vreeland | via ninasubhas on instragram

to women everywhere. go + be free | Diana Vreeland | via ninasubhas on instragram

diana vreeland The Eye has to travel documentary

diana vreeland The Eye has to travel documentary

Diana Vreeland. Proof positive its all about style and talent --  not pretty features.

Diana Vreeland. Proof positive its all about style and talent -- not pretty features.

“Style: all who have it share one thing - originality.” -Diana Vreeland

“Style: all who have it share one thing - originality.” -Diana Vreeland

Diana Vreeland: The Bazaar Photographs - HarpersBAZAAR.com

Diana Vreeland: The Bazaar Photographs

Diana Vreeland: The Bazaar Photographs - HarpersBAZAAR.com

DON’T BE BORING!…                                                                                                                                                                                 Más

DON’T BE BORING!… Más

Een indrukwekkende vrouw: Diana Vreeland in haar Baldwin designed interior. Diana Vreeland, was a noted columnist and editor in the field of fashion. She worked for the fashion magazines Harper's Bazaar and Vogue and as a special consultant at the Costume Institute of the Metropolitan Museum of Art

Een indrukwekkende vrouw: Diana Vreeland in haar Baldwin designed interior. Diana Vreeland, was a noted columnist and editor in the field of fashion. She worked for the fashion magazines Harper's Bazaar and Vogue and as a special consultant at the Costume Institute of the Metropolitan Museum of Art

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