Henry Moore - Composition, 1932

Henry Moore - Composition, 1932

Henry Moore, Eight Sculpture Ideas 1980-81

Henry Moore, Eight Sculpture Ideas 1980-81

HENRY MOORE 1898 - 1986 INTERIOR FORM  Inscribed Moore and numbered 6/9 Bronze Height: 19 1/4 in. 48.8 cm Conceived in 1951 and cast in 1981

HENRY MOORE 1898 - 1986 INTERIOR FORM Inscribed Moore and numbered 6/9 Bronze Height: 19 1/4 in. 48.8 cm Conceived in 1951 and cast in 1981

Henry Moore, Standing Figures and Ideas for Sculpture, circa 1948, Pencil, wax crayon, coloured crayon and, watercolour wash on paper, 29 x 24 cm, © The Henry Moore Foundation, Courtesy Henry Moore Family Collection and Hauser & Wirth.

Henry Moore, Standing Figures and Ideas for Sculpture, circa 1948, Pencil, wax crayon, coloured crayon and, watercolour wash on paper, 29 x 24 cm, © The Henry Moore Foundation, Courtesy Henry Moore Family Collection and Hauser & Wirth.

Henry Moore  Reclining Woman, 1951. The Henry Moore Foundation

Henry Moore at Tate Britain

Henry Moore Reclining Woman, 1951. The Henry Moore Foundation

‘Mother and Child: Egg Form’ – Henry Moore 1977

‘Mother and Child: Egg Form’ – Henry Moore 1977

Sculptor Henry Moore sitting before his Sheep Piece (1971-72) in Hoglands, Hertsfordshire, England.

Creative Forces

Sculptor Henry Moore sitting before his Sheep Piece (1971-72) in Hoglands, Hertsfordshire, England.

"Henry Moore: Wunderkammer–Origin of Forms" at Gagosian Davies Street. February 9–April 2, 2015

"Henry Moore: Wunderkammer–Origin of Forms" at Gagosian Davies Street. February 9–April 2, 2015

Henry Moore sketchbooks. During WWII there was verv little call for large scale sculpture. The pages of his sketchbooks of this period show that he was full of ideas for abstract sculptures that would make use of organic and natural forms rather than pure geometrical shapes.  �

Henry Moore sketchbooks. During WWII there was verv little call for large scale sculpture. The pages of his sketchbooks of this period show that he was full of ideas for abstract sculptures that would make use of organic and natural forms rather than pure geometrical shapes.

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