Variation 12 1938. Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929.

Variation 12 1938. Max Bill was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929.

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julialukedesign:  Max Bill. Konstruktion für eine Figur / Japanese Screenprint / 1969  Max Bill was born the 22 December 1908 in Winterthur, Swizterland. After completing an apprenticeship as a silversmith (1924-1927), he studied at the Bauhaus in Dessau underJosef Albers, Wassily Kandinsky, Lazlo Moholy-Nagy, Paul Klee and others. In 1929, he returned to Zurich where he worked as an architect, painter, graphic designer and sculpture and later as a product designer. From 1932 to 1936, he was…

julialukedesign: Max Bill. Konstruktion für eine Figur / Japanese Screenprint / 1969 Max Bill was born the 22 December 1908 in Winterthur, Swizterland. After completing an apprenticeship as a silversmith (1924-1927), he studied at the Bauhaus in Dessau underJosef Albers, Wassily Kandinsky, Lazlo Moholy-Nagy, Paul Klee and others. In 1929, he returned to Zurich where he worked as an architect, painter, graphic designer and sculpture and later as a product designer. From 1932 to 1936, he was…

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1950s. Variation on neo-concrete artist Max Bill who was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer, who trained at the Bauhaus, under Kadinsky, Klee, and Schlemmer.

1950s. Variation on neo-concrete artist Max Bill who was a Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer, who trained at the Bauhaus, under Kadinsky, Klee, and Schlemmer.

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ULM STOOL. MAX BILL. HANS GUGELOT. PAUL HILDINGER.

ULM STOOL. MAX BILL. HANS GUGELOT. PAUL HILDINGER.

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Max Bill - »horizontal-vertikal-diagonal-rhythmus«, oil on canvas, 1942  #Max Bill #1940s art #painting

Max Bill - »horizontal-vertikal-diagonal-rhythmus«, oil on canvas, 1942 #Max Bill #1940s art #painting

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max bill | Max Bill | [ adbrio's websoil ]

max bill | Max Bill | [ adbrio's websoil ]

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Max Bill - Four Lines of Equal Length - 1946  „Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.” – Max Bill  http://www.wikipaintings.org/en/max-bill

Max Bill - Four Lines of Equal Length - 1946 „Even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.” – Max Bill http://www.wikipaintings.org/en/max-bill

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Ausstellung Max Bill zum 100. Geburtstag by ReneSpitz,

Ausstellung Max Bill zum 100. Geburtstag by ReneSpitz,

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Max Bill, Olympic Rings, 1979

Max Bill, Olympic Rings, 1979

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Max Bill #geometry #graphics #maxbill

Max Bill #geometry #graphics #maxbill

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