Parang Klitik. Motif batik yang menyimbolkan perilaku halus dan bijaksana. Dulu motif batik ini hanya dikenakan oleh para putri raja.

Parang Klitik. Motif batik yang menyimbolkan perilaku halus dan bijaksana. Dulu motif batik ini hanya dikenakan oleh para putri raja.

27. KEKAYON, Banyumas-Indonesia

27. KEKAYON, Banyumas-Indonesia

Hand drawn Batik Pekalongan Hokokkai style. Hokokkai refer to Japan style influence circa 1940ish on WWII. Well known for it's finesse of the motives usually butterfly or any oriental flowers such as chrysatimumm. Private collection of Arief Laksono.

Hand drawn Batik Pekalongan Hokokkai style. Hokokkai refer to Japan style influence circa 1940ish on WWII. Well known for it's finesse of the motives usually butterfly or any oriental flowers such as chrysatimumm. Private collection of Arief Laksono.

Hand-drawn vintage batik 3 negri from Solo circa 1920-1940. This beautiful piece is made by Nj. Tjoa Giok Tjiam who invented the 3 negri batik technique. Private collection of Arief Laksono.

Hand-drawn vintage batik 3 negri from Solo circa 1920-1940. This beautiful piece is made by Nj. Tjoa Giok Tjiam who invented the 3 negri batik technique. Private collection of Arief Laksono.

Hand drawn Vintage Batik Lasem. Private collection of Arief Laksono.

Hand drawn Vintage Batik Lasem. Private collection of Arief Laksono.

Batik from Pekalongan, Indonesia, WW I

Batik from Pekalongan, Indonesia, WW I

Hand-drawn Batik Lasem by the maestro Sigit Witjaksono. This kind of batik called Sinografi which is specialty from Sigit Witjaksono, combining chinese letters of proverbs and traditional motive, here again is Phoenix bird. Private collection of Arief Laksono.

Hand-drawn Batik Lasem by the maestro Sigit Witjaksono. This kind of batik called Sinografi which is specialty from Sigit Witjaksono, combining chinese letters of proverbs and traditional motive, here again is Phoenix bird. Private collection of Arief Laksono.

Garut Batik. Garutan batik can be identified by its distinctive colors, gumading (yellowish ivory), indigo, dark red, dark green, yellowish brown, and purple. Ivory stays dominant in the background. Despite applying traditional Javanese court motifs such as rereng, Garut batik uses lighter and brighter colors compared to Javanese court batik.

Garut Batik. Garutan batik can be identified by its distinctive colors, gumading (yellowish ivory), indigo, dark red, dark green, yellowish brown, and purple. Ivory stays dominant in the background. Despite applying traditional Javanese court motifs such as rereng, Garut batik uses lighter and brighter colors compared to Javanese court batik.

Batik バティック・三色染・2014.8

Batik バティック・三色染・2014.8

Motif batik Alas-alasan latar irengan warna hitam merupakan suatu warna biru yang sangat tua. warna hitam dalam batik melambangkan antara lain suatu kewibawaan, keberanian, kekuatan, ketenangan, percaya diri dan dominasi. Dalam motif itu diperlihatkan berbagai jenis binatang, suatu keaneka ragaman dalam kehidupan yang toch pada akhirnya dapat saling bertenggang rasa.

Motif batik Alas-alasan latar irengan warna hitam merupakan suatu warna biru yang sangat tua. warna hitam dalam batik melambangkan antara lain suatu kewibawaan, keberanian, kekuatan, ketenangan, percaya diri dan dominasi. Dalam motif itu diperlihatkan berbagai jenis binatang, suatu keaneka ragaman dalam kehidupan yang toch pada akhirnya dapat saling bertenggang rasa.

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