Rembrandt etchings

Rembrandt etching

Rembrandt (Rembrandt Harmenszoon van Rijn), 1606-1669, Dutch, Christ Crucified Between Two Thieves; oval plate, 1641. Etching and drypoint; first state of two, 5.5 x 4 cm. Metropolitan Museum of Art, New York. Dutch Golden Age, Baroque.

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(Leiden 1606–1669 Amsterdam) David in prayer, 1652, etching and drypoint, signed and dated Rembrandt f. 1652 in the plate, 14,3 x 9,3 cm, with narrow margins along platemarks, Bartsch 41, White-Boon 41, New Hollstein 268 III (of III), with the scratches in David’s coat, mounted, unframed

Rembrandt Harmenszoon van Rijn 1606–1669 | Saskia with Pearls in Her Hair 1634 87 x 68 mm | The Morgan Library & Museum

1630-34 Study Sheet (fragment), Self-Portrait, Rembrandt van Rijn. Etching on paper, 5. x 5.5 cm.

18. Rembrandt with Raised Sabre, 1634, Etching with touches of burin

View Portrait of a bearded old man looking to one side (Circa 1640) By van Rijn Rembrandt; Etching on laid paper; 7.7 x 6.7 cm; Edition. Access more artwork lots and estimated & realized auction prices on MutualArt.

All prints | Page 2 | The Morgan Library & Museum

29. Rembrandt and His Wife Saskia, 1636, Etching on laid paper, 9 x 10.8 cm

Rembrandt's Etching Technique (ebook)

After Rembrandt (Rembrandt van Rijn) | A Woman Making Water | The Metropolitan Museum of Art

Rembrandt Harmenszoon van Rijn, The Great Jewish Bride, 1635, Etching, engraving and drypoint, on paper., RvR 452

Rembrandt Harmenszoon van Rijn, The Artist's Mother: Head Only, Full Face, 1628, Etching on paper., RvR 469

Rembrandt Harmenszoon van Rijn, Self-Portrait with Cap Pulled Forward, ca. 1630, Etching, with touches of drypoint on paper., RvR 439

Portrait of Rembrandt, bust-length, in profile to left but looking at the viewer; after his self-portrait. 1634 Etching and engraving