Rivo Cahyono

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Bodhisattva Maitreya, 2nd-3rd century, Pakistan: Ancient Gandhara, schist. Maitreya is a bodhisattva who is regarded as a future Buddha and successor to the historic Sakyamuni Buddha. Maitreya is typically depicted as seated, but Gandhara was widely known for production of standing Buddhist sculptures during this period. Made in Gandhara, in what is now Pakistan and Afghanistan, this sculpture reflects the international style that was present in this ancient kingdom. Gandhara was located…

Bodhisattva Maitreya, 2nd-3rd century, Pakistan: Ancient Gandhara, schist. Maitreya is a bodhisattva who is regarded as a future Buddha and successor to the historic Sakyamuni Buddha. Maitreya is typically depicted as seated, but Gandhara was widely known for production of standing Buddhist sculptures during this period. Made in Gandhara, in what is now Pakistan and Afghanistan, this sculpture reflects the international style that was present in this ancient kingdom. Gandhara was located…

Indian, Gandhara, Peshawar District, Near Mardan (present-day Pakistan) (Indian , 2nd-3rd century) Seated Buddha 2nd - 3rd century Dark gray schist

Indian, Gandhara, Peshawar District, Near Mardan (present-day Pakistan) (Indian , century) Seated Buddha - century Dark gray schist

A GREY SCHIST STANDING BODHISATTVA Height: 57 3/4 in. (148 cm) Ancient region of Gandhara, Kushan period, 3rd/4th century

A Grey Schist Standing Bodhisattva Height: 57 in. cm) Ancient region of Gandhara, Kushan period, century

Shakyamuni Buddha (HimalayanArt)

Shakyamuni Buddha (HimalayanArt)

Shakyamuni Understood in a general manner, this image demonstrates that based on the teaching of the Buddha Shakyamuni, paying respect to all Buddhas of the Past, present and future, one can attain their own enlightenment

Shakyamuni Understood in a general manner, this image demonstrates that based on the teaching of the Buddha Shakyamuni, paying respect to all Buddhas of the Past, present and future, one can attain their own enlightenment

にょらいざぞう片岩 パキスタン・ガンダーラ 高77.3 クシャーン朝 2-3世紀 通肩に衣をつけ,転法輪印を結んで結跏趺坐する。波形の頭髪や,衣のひだなどの表現は,ヘレニズムの影響を色濃く残し,東西文化の交流によって生まれたガンダーラ美術の性格をよく物語る。頭光には,仏陀の左に,円筒形の宝冠を戴いたインドラ(帝釈天),右にブラフマー(梵天)が,それぞれ蓮台の上に立ち,仏陀を礼拝する。 国立博物館東洋館 http://www.tnm.jp/modules/r_collection/index.php?controller=dtl_img&size=L&colid=TC80&t=

にょらいざぞう片岩 パキスタン・ガンダーラ 高77.3 クシャーン朝 2-3世紀 通肩に衣をつけ,転法輪印を結んで結跏趺坐する。波形の頭髪や,衣のひだなどの表現は,ヘレニズムの影響を色濃く残し,東西文化の交流によって生まれたガンダーラ美術の性格をよく物語る。頭光には,仏陀の左に,円筒形の宝冠を戴いたインドラ(帝釈天),右にブラフマー(梵天)が,それぞれ蓮台の上に立ち,仏陀を礼拝する。 国立博物館東洋館 http://www.tnm.jp/modules/r_collection/index.php?controller=dtl_img&size=L&colid=TC80&t=

Seated Buddha with Dharmachakra Mudra (turning the wheel of Dharma). Hadda or Taxila, 4th-5th centuries.

Seated Buddha with Dharmachakra Mudra Provenance Hadda or Taxila Afghanistan Period - centuries Materials Stucco with polychrome Dimensions