Art

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Joko Avianto’s “The Theater of Ships” is the main giant visual treat in George Town Festival (GTF) 2013. Situated between the iconic town hall and city hall, a municipal office gets a new radical exterior look with a facade consisting of around 3,000 bamboos. We are delighted to get the opportunity to enjoy this intricate design on the first day of GTF. The month-long festival stages a plethora of art works and cultural exhibitions across the city.

Joko Avianto’s “The Theater of Ships” is the main giant visual treat in George Town Festival (GTF) 2013. Situated between the iconic town hall and city hall, a municipal office gets a new radical exterior look with a facade consisting of around 3,000 bamboos. We are delighted to get the opportunity to enjoy this intricate design on the first day of GTF. The month-long festival stages a plethora of art works and cultural exhibitions across the city.

However bitter life sometimes turns into, mime artists happiness is not measured in how much they earn, but in how much they have achieved through choreography.

However bitter life sometimes turns into, mime artists happiness is not measured in how much they earn, but in how much they have achieved through choreography.

Gus Dur: Tuhan Tidak Perlu Dibela. Purjito. 2016.

Gus Dur: Tuhan Tidak Perlu Dibela. Purjito. 2016.

Jendela (Window) by Joko Pinurbo at a poetry reading in 2013 Literature Biennale, Teater Salihara, Jakarta.

Jendela (Window) by Joko Pinurbo at a poetry reading in 2013 Literature Biennale, Teater Salihara, Jakarta.

Begin playing underground music in a student apartment some ten years ago, the American DJ Steve Aoki has enjoyed international stardom since three years ago, following his debut solo album in 2012.

Begin playing underground music in a student apartment some ten years ago, the American DJ Steve Aoki has enjoyed international stardom since three years ago, following his debut solo album in 2012.

Three months after From Benteng With Love at Taman Anggrek Mal, Jakarta, the Operet Babah Encim staged another love-theme work Legenda Cinta Pulau Kemaro at Galeri Indonesia Kaya, which is based on a folktale from South Sumatra about interracial tragic romance between king of Palembang’s daughter Siti Fatimah and a Chinese merchant Tan Bun An, a fortune and love seeker.

Three months after From Benteng With Love at Taman Anggrek Mal, Jakarta, the Operet Babah Encim staged another love-theme work Legenda Cinta Pulau Kemaro at Galeri Indonesia Kaya, which is based on a folktale from South Sumatra about interracial tragic romance between king of Palembang’s daughter Siti Fatimah and a Chinese merchant Tan Bun An, a fortune and love seeker.

From swing to bebop, acid, and the further rapid evolution of jazz when the western world brought it on board of the trade ships to meet Indonesian vernacular music in the 20s, Lantun Orchestra played their repertoire based on a timeline that tells about each period of the constantly-altering musical genre.

From swing to bebop, acid, and the further rapid evolution of jazz when the western world brought it on board of the trade ships to meet Indonesian vernacular music in the 20s, Lantun Orchestra played their repertoire based on a timeline that tells about each period of the constantly-altering musical genre.

In 1996 Stefano Bollani chose to drop all he has worked for in pop since he first took a professional path at his teenage years, and in his solo concert at Usmar Ismail Hall, Jakarta, 28 April, the Italian pianist showed his aptitude, more of nurtured than inherent, after over 15 years of dedication in jazz.

In 1996 Stefano Bollani chose to drop all he has worked for in pop since he first took a professional path at his teenage years, and in his solo concert at Usmar Ismail Hall, Jakarta, 28 April, the Italian pianist showed his aptitude, more of nurtured than inherent, after over 15 years of dedication in jazz.

Liem Keng Sien (1954 – 2014) called his home cum studio the university of rest and relax, a creative place that goes unsupported by government, and unrecognized by public. Less serious in nature, perhaps it is this aphorism “Art is long, life is short” where Keng Sien took an inspiration to create his final art series, interestingly, in the shape of many laughing expressions based on earth material, a notable shift of base materials from ceramics he was so well-known of.

Liem Keng Sien (1954 – 2014) called his home cum studio the university of rest and relax, a creative place that goes unsupported by government, and unrecognized by public. Less serious in nature, perhaps it is this aphorism “Art is long, life is short” where Keng Sien took an inspiration to create his final art series, interestingly, in the shape of many laughing expressions based on earth material, a notable shift of base materials from ceramics he was so well-known of.

The Legend of White Snake, whose script was told to appear for the first time in the region in the 19th century, brought by the Chinese immigrants to Indonesia, usurps the topic of feminism at a time where such term barely existed. Unlike the portrayals of women as a lower group of gender, thus weak and obedient in the society all around the world, the tale gives the limelight to a woman who proudly bears the consequences of her own freewill.

The Legend of White Snake, whose script was told to appear for the first time in the region in the 19th century, brought by the Chinese immigrants to Indonesia, usurps the topic of feminism at a time where such term barely existed. Unlike the portrayals of women as a lower group of gender, thus weak and obedient in the society all around the world, the tale gives the limelight to a woman who proudly bears the consequences of her own freewill.

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